| 19 June 2009
I’m the forgotten one. The one lost in the forest. The one who goes to what everyone else wants to do, but always winds up going alone to something that I care about. Maybe I don’t ask well enough, or what interests me nobody else cares about, or I just gave up asking. I’m insulating myself, I know, but at some point I know it will be no or that’s boring or something came up or, most often, they “forget” that there was something I wanted to do. My name is Nanjou Ran. Don’t ask what I want; you don’t mean anything by it.
I’m the forgotten one. The one lost in the forest. The one who goes to what everyone else wants to do, but always winds up going alone to something that I care about. Maybe I don’t ask well enough, or what interests me nobody else cares about, or I just gave up asking. I’m insulating myself, I know, but at some point I know it will be no or that’s boring or something came up or, most often, they “forget” that there was something I wanted to do. My name is Nanjou Ran. Don’t ask what I want; you don’t mean anything by it.Review of Nanjou Ran from Kotobukiya
Nanjou Ran comes from the game Sengoku Rance, beyond that I don’t really know. I picked her up on a whim at AnimeNEXT. The curves on her back, arms, and legs, are visually appealing, as is her costume in general. The ahoge make a pair of horns, which is interesting since she’s a caster making me think it’s some sort of pact based magic.
This is a decent figure made by Kotobukiya, not great, not bad. Some of the stuff on the back side is fairly sloppy, but otherwise the front view is good. Sculpt doesn’t feel as accomplished as it should to truly wow. While the curves of her body are appealing of themselves, not sure if it’s a solid description of the motion of flaring out her papers like that. It’s half pose, half motion.
Ran is mounted by screw to a clear purplish triangle, which is pretty weak and detracts from the overall look of the figure.
Other Stuff
It’s been a while since I’ve done a “set” for a figure shoot, which I’ve been getting away from more and more. It’s tough to do, so it’s a little because of the lazy. Plus, more often I find it a distraction, which it is here to some extent. I like the red on the white, it’s usually a striking combo, so I kept it in spite of how distracting, rather than complimentary, it can be.
[Source: Happy Soda]
